Susan Riley

This moving, beautifully illustrated novel begins with the 1945 liberation of Bergen-Belsen, when adolescent survivor Gerta is relocated to a displaced persons camp. The time Stamper spends on Gerta's postwar story, a somewhat unusual focus for a Holocaust novel, allows for thoughtful exploration of the particular challenges of rebuilding a life after the Holocaust's devastation. Gerta, still healing emotionally and physically, finds herself making decisions about her romantic, religious, and artistic future that seem startling in their speed. A long flashback gives context for the peculiar assortment of memories influencing her now: she grew up a promising musician and learned of her Jewish background and real last name (Rausch, not Richter) only when her father revealed the truth on the train to Theresienstadt. The flashback traces Gerta's experiences from the fear and starvation of the ghetto to the even more horrific conditions of Auschwitz-Birkenau (her father is immediately sent to his death; Gerta survives largely because her musical ability places her in the Women's Orchestra, where she is forced to serenade women and children on their walk to the gas chamber). Dreamlike prose and digitally toned black-and-white illustrations in ink wash, white gouache, and graphite, ranging from spot art to spacious full-bleed wordless spreads, combine with thick, creamy paper to create a volume with the feel of an art object. Back matter includes an author's note about Stamper's inspiration and her research visits to concentration camps, a glossary, a map, and resources. shoshana flax